basis211: (Default)
[personal profile] basis211
"The story surrounding the film 'Demon' made in 2015 by Polish director Marcin Wrona is almost as tragic as the story in the film, and builds around it a special aura. The director committed suicide shortly after the premiere, during a festival that promoted this third and final feature film of his, a film that has in its center a wedding that ends tragically. Marcin Wrona himself was freshly married and left behind a young wife (who had also been one of the film's producers). Those who believe in such phenomena may speculate that perhaps some of the evil spirit exemplified by the phenomenon of 'dybbuk' described in the film has spilled over into reality. The rest of us can mourn the disappearance of a film director who was on the path to become one of the most representative for Poland, and beyond the borders of his country. 'Demon' is a very interesting film, which does not leave its viewers indifferent, located somewhere between the Gothic horror genre with elements of Polish and Jewish folklore, and the art film with social and historical commentary. The film is a Polish-Israeli co-production, which is, I think, also first time kind of collaboration."

Date: 2020-11-12 10:05 pm (UTC)
crapulous: (Default)
From: [personal profile] crapulous
Самое интересное в этой истории, что у авторши "Как убить своего мужа" все в порядке, а ее муж очень даже жив. А тетка, о которой идет речь всего лишь за десять лет до убийства написала в своем блоге пост с названием "Как убить своего мужа". Но журналисты решили, что если изменить пост на книгу, то новость будет выглядеть солиднее. Впрочем, я думаю, авторша была не против такой подмены - о ее книге узнали даже кому она даром не нужна.

Date: 2020-11-12 10:36 pm (UTC)
fish_n_lilies: (Грустный зайко)
From: [personal profile] fish_n_lilies
А старушку с ледоколом уже, видать, и забыли все )))

Date: 2020-11-12 11:29 pm (UTC)
diejacobsleiter: (Default)
From: [personal profile] diejacobsleiter
А! Это красивое дополнение, спасибо. Напоминает, что мы живем большей частью в медиа-реальности.
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